Hajriansyah, Hajriansyah (2017) Nilai-nilai Spiritualitas dalam Seni Lukis Amang Rahman Jubair: Tinjauan Estetika Sufi. Tesis, Pascasarjana.
Text
PERNYATAAN.pdf Download (246kB) |
|
Text
AWAL.pdf Download (490kB) |
|
Text
ABSTRAK.pdf Download (209kB) |
|
Text
BAB I.pdf Download (284kB) |
|
Text
BAB II.pdf Restricted to Repository staff only Download (989kB) |
|
Text
BAB III.pdf Download (226kB) |
|
Text
BAB IV.pdf Download (541kB) |
|
Text
BAB V.pdf Download (1MB) |
|
Text
BAB VI.pdf Download (173kB) |
|
Text
DAFTAR PUSTAKA.pdf Download (279kB) |
|
Text
LAMPIRAN.pdf Download (1MB) |
ABSTRAK
Hajriansyah. Nilai-nilai Spiritualitas dalam Seni Lukis Amang Rahman Jubair: Tinjauan Estetika Sufi. Pembimbing I: Prof. Dr. H. Mujiburrahman, M.A. Pembimbing II: Dr. Ahmad Syadzali, M.Hum. Pascasarjana, Prodi Akhlak dan Tasawuf, 2017. Keywords: Spirituality, Art Painting, AmangRahmanJubair, Sufi Aesthetics. This study suggests the values of spirituality in painting ofAmangRahmanJubair, particularly from the perspective of the Sufi aesthetics. Similar studies have not been done so far, even if there is still limited to the study of literature and music. Sufism suggests awareness of the nature of Jamal (beauty) of Allah, in addition to the nature of His Jalal and Kamal, so art became an inevitable expression by Sufis to express grandeur and perfection of the Creator. AmangRahmanJubair (1931-2001) was a Indonesian painter which has a deep awareness of God's presence, and have a concept of art thatcalled Jamal, Kamal and Jalal, embodied by the sweat, blood and tears, which means sacrifice, dedication and love to the Creator and His creatures. Neither the art critics and public of Indonesian art, which states AmangRahman-Sufi is a surrealist painter, and his works reflect an awareness of spirituality that can bring the audience to a higher level. This research is qualitative field research by using descriptive analytical method and approach of Sufi aesthetics, which presupposes the existence of things that are holy or sacred as well as some aspects related to the imagination and cosmology, spiritual experiences, traditions and symbols. Data source is the family and closest friends, several paintings of AmangRahmanand critics articlesof Indonesian art in any mass medias. TheconclusionisAmangRahmanwas a modern Sufi, that his works reflect the spiritual consciousness of divinity within. Experiences and attitudes totality of his life proves his dedication to both the arts and his whole life. In the works of his art reflected awareness of space and the cosmos that represents nature imajinal ('alam al-Khayal), a tradition taken from the treasury of Sufism and mystical symbols.
Item Type: | Thesis (Masters) |
---|---|
Subjects: | B Philosophy. Psychology. Religion > BH Aesthetics B Philosophy. Psychology. Religion > BL Religion L Education > L Education (General) |
Depositing User: | Users 62 not found. |
Date Deposited: | 06 Apr 2017 02:23 |
Last Modified: | 06 Apr 2017 05:12 |
URI: | http://idr.uin-antasari.ac.id/id/eprint/7774 |
Actions (login required)
View Item |